Sound Patches. You can use the patches below on a JV-1080, JV-2080, XP-50, XP-60, XP-80 and other Roland JV/XP synths which are sound compatible with these. How to load these patches into my Roland XP-50, XP-60 or XP-80? You can use a program like CakeWalk, Cubase or Sysex to send the.SYX files to your synthesizer. The Juno-G is a full-sized Workstation Keyboard from Roland featuring much of Roland's current state-of-the-art synthesis technologies, putting a studio's worth of sound, sequencing, and audio recording into one complete instrument.
Is the Juno back? The Juno-G is a full-sized Workstation Keyboard from Roland featuring much of Roland's current state-of-the-art synthesis technologies, putting a studio's worth of sound, sequencing, and audio recording into one complete instrument.
It shares the same high-powered processor as Roland's Fantom-X series but packages it in a synth that looks very reminiscent of the old Juno-synths, and also puts many of the controls at your finger tips. Not to mention, considering what you get, the Juno-G is a very affordable synth.
Roland's powerful Fantom-X sound engine offers up to 128 voices of polyphony (a quantum leap from the 6 voices offered by the original Junos). The sounds of the Fantom-X engine are typical of Roland's most current sonic palette. This is no analog wannabe synth, its sounds are purely digital although many analog modeled sounds are available. You also get Roland's 88-note multi-sampled grand piano, and a wide range of sounds that span from classical to cutting-edge. You can further expand your Juno-G sound library with one of Roland's optional SRX expansion boards.
True to its workstation capability, the Juno-G features an onboard audio/MIDI recorder for programming and recording your own music sequences. There is a 16-part MIDI sequencer with dedicated transport controls and mixer. There are also four companion stereo audio tracks which allow you to lay down live parts from external audio sources (like vocals, guitar parts, etc.). Both the MIDI sequencing and audio recording memory is ample, allowing room for plenty of recorded ideas, performances, songs and parts. The Juno-G has a fairly user-friendly interface featuring a very large back-lit LCD display (not a touch screen), clearly labeled buttons, six knobs to modify sounds, five sliders for the audio section, a data wheel, a D-Beam controller, and a pitch/mod lever. Additional performance controls and features include the on-board Arpeggiator, Chord Memory and built-in multi-effects.