Sanubari Jakarta Ganool Indonesia

Happy birthday to you my dear lucky name tone mp3 song youtube. I believe that great things often come in small packages, that’s why i love shorts as well. Anthologies are like a compilation of shorts with interconnecting strings or themes. Watching Sanubari Jakarta aka Jakarta Deep Down reminds me of, because of the use of the name of the city and the anthology format. The theme, however, was quite uncommon.

Di Indonesia sendiri sinema film pendek baru mulai populer di tahun 1970-an ditandai dengan munculnya Pendidikan Sinematografi di Institut Kesenian Jakarta (IKJ). Dewan Kesenian Jakarta mulai mengadakan Festival Film Mini sejak tahun 1974. Akan tetapi sangat disayangkan, festival ini berhenti di tahun 1981 karena kekurangan dana.

LGBT (Lesbian, Gay, Bisexual, Transgender) rarely made appearance as a theme in Indonesian local cinema, i guess this mirrors our local society which still dominantly intolerant, close-minded, considering the issue as a taboo, and often give hostile response towards the theme. Through Sanubari Jakarta, we were told 10 love stories through short films by 10 different directors within 100 minutes. Just like other Anthologies, it like a jumbled bag of, for the lack of better terms, despite some odd ones you can find some pieces that are special. One of my favorite piece was the opening segment by Tika Pramesti called Caka Mata or 1/2 (i am not sure what does “caka” means in bahasa indonesia or in english, anybody knows?

Or is it just an anagram for kaca mata (eye glasses)?). Anyway, this piece told us a story in a surrealist approach, there was not much dialogue, enriched only by the accompaniment of musical notes that complement the mood.

We met a man named Abi was involved in two similar situations. The difference can be seen in the different nuance of the situation: in the Red filtered scene we can see him being involved with a female counterpart, while in the blue it was a male instead of a female. We can see with the female they can interact more freely, exchanging glances, touches, etc. While with the male Abi is constrained, it was a study of constrained melancholy, i actually ache when i saw it. In these juxtaposition of images represents reality and an imagined realm, probably a wishful thinking, from Abi. The different color nuances probably represents the gender of character (the classic assumption of blue for masculine and feminine red, e.g: color-coded symbols often found in toilet signage, etc. But it also reminds me of the old anaglyph 3D glasses (remember?).

This might’ve been true, because seeing the two different nuance is like looking through the different set of lens, and i believe Abi just want a composite image of the two. _____ The fourth story, Kentang by Aline Jusria (and no it does not refer to kentang (potatoes) of any kind). I think the title is an acronym for kena tanggung which is used to express when something was on the cusp of climax but failed to be accomplished (and yes, this one definitely refer to a sexual innuendo). We witness a gay couple who was trying to make out but constantly interrupted by various things and ended up having a quarrel instead. Kentang is definitely the most comedic piece of the bunch! The couple bickers, pouts, throwing cheesy one-liner and snide comments at each other was purely entertaining. The actors definitely have a good working chemistry with each other or else the constant one line bickering would loose it’s juice right away and fell flat instead.